Why does the new Batman embarrass the Christopher Nolan trilogy?

Christopher Nolan is often considered one of the best superhero movies of all time The Dark Knight The trilogy undoubtedly changed the genre landscape for the next decade of Marvel and DC dominance. Worlds Away from the candy-colored dream world created by Joel Schumacher for the previous Batman installment, 1997 batman and robinNolan, the new Batman running in a dark industrial Gotham with realism.

Where superhero films of the past have shown little respect for their characters, treating each one of them as cartoonish properties, Nolan has shown that these films can be huge financial films and also great films in their own right. To achieve this, Nolan sacrificed the character’s ethos himself, removing him from his comic book roots and placing him in the realms of reality.

While Nolan’s films remain great action movies, Matt Reeves’ latest release Batman Reveals how far they are from the “Batman” movies, as they seem like something of a cover-up imposter benefiting from hindsight.

When Nolan withdrew from the world of Gotham, Reeves embraced the iconic Batman City and made it a major aspect of the movie itself, in which the city’s bleak streets are explored with an unprecedented amount of depth and insight. Civilian street shooters antagonize the subway, crooks steal from corner stores and the shadows of the city are filled with fear of the unknown, it might be a bit too cliched but Gotham really feels like the main character in Matt Reeves’ vision.

Robert Pattinson’s Batman describes the rainy streets of Gotham, as the opening monologue strikes the balance between delightful melodrama and genuine sincerity: “Hidden in chaos is the element, waiting to strike like snakes and I’m there too, watching.” Artistically exaggerated, the city itself runs the same line, with every street, from the narrow corners of alleys to the vast main roads boiling with legendary character.

Truly, Reeves’ vision is unmatched by Nolan, who seems to dismiss Gotham City as merely the setting for Batman’s adventures, rather than as a manipulative and dynamic city that fears and motivates its disaffected citizens. While one could argue that Christopher Nolan prefers to focus on story, character, and implied meaning, it is undeniable that if one looks deeper, Gotham’s wasted potential is not the director’s only sin.

He is known as one of the world’s smartest detectives in the comics, as well as one of their strongest brawlers, in Batman The titular character is actually given breathing room to do his best, forming a believable relationship with the Gotham City Police Department. Working closely with Commissioner Jeffrey Wright Gordon, the two characters form an unlikely cop friendly duo in their search for the evil Riddler, following the crumbs of clues to get to the core of the city’s evil.

Built as a generic action hero in the Nolan trilogy, these detective scenes are few and far between throughout The Dark Knight The movies, with the latest depiction of the crusade doing much more to build a compelling character.

Not just Batman, Zoë Kravitz’s Catwoman also shows off the character and character to beat the previous Anne Hathaway version with one scratch and one menacing liner. From the outfit to her relevance in the main plot of the movie, Kravitz’s Catwoman surpasses Nolan’s lazy version in almost every respect.

Much like how the comic books present countless different versions of the same character, the Nolan Batman trilogy can still be appreciated as a more rooted version of the superhero, even if the Reeves movie version revealed many fatal flaws. Simply, Batman It’s the movie Gotham deserves now, with Nolan seeing success as a pivotal stone in cinematic history, unlike Sam Raimi’s movie. Spider Man triple.

Follow Far Out magazine on our social channels, on Facebook, Twitter and Instagram.

Leave a Comment

Your email address will not be published.