Andrei Tarkovsky’s Handwritten List of His Ten Favorite Movies

Andrei Tarkovsky, a Russian filmmaker, writer, and film theorist, is widely considered one of the most stylistically innovative filmmakers of all time. Known for his unconventional long roles, Tarkovsky honed what is known as “slow cinema” with his artistic poetic depiction: “All art, of course, is intellectual, but for me, all art and cinema more than that must be emotional and act according to the heart, Tarkovsky himself once said.

Not least a fan, Ingmar Bergman went so far as to say: “Tarkovsky is for me the greatest [director]the person who invented a new language, faithful to the nature of film, as it embodies life as a reflection, and life as a dream.” It is a sentiment to offer a small glimpse into the broad impact of his creative vision in the broader scope of cinema.

To add more context, the great Akira Kurosawa, considered by many to be one of the greatest filmmakers in the history of cinema, once said: “I love all of Tarkovsky’s films. I love his character and all his work. Each of his films is a great picture in itself.”

Despite the large number of directors who all drew inspiration from Tarkovsky’s work, the Russian director has never been shy about celebrating the work of his colleagues who helped share his creative vision. Sitting with film critic Leonid Kozlov in 1972, Tarkovsky created a handwritten note featuring 10 of his favorite photos.

“At this point, I asked Tarkovsky if he would compile a list of his 10 favorite films or so,” Kozlov remarked as he pondered. “He took my suggestion seriously and for a few minutes remained deep in thought with his head bowed over a piece of paper.”

Kozlov added, “Then he began to write a list of the directors – Bunuel, Mizuguchi, Bergman, Bryson, Kurosawa, Antonioni, Vigo. Another one, Dreyer, followed him after a pause. After that, he made a list of films and carefully put them in numerical order. The list seems to be It was ready, but suddenly and unexpectedly Tarkovsky added another address –city ​​lights. “

With the likes of Ingmar Bergman, Akira Kurosawa, Charlie Chaplin and more, see the full list below.

Andrei Tarkovsky’s 10 Favorite Films:

  1. Diary of a country priest – Robert Bryson, 1951.
  2. winter light – Ingmar Bergman, 1963.
  3. Nazareen – Luis Buñuel, 1959.
  4. wild strawberry – Ingmar Bergman 1957.
  5. city ​​lights – Charlie Chaplin, 1931.
  6. Yujitsu Monogatari Kenji Mizoguchi, 1953.
  7. seven samurai Akira Kurosawa, 1954.
  8. Character – Ingmar Bergman, 1966.
  9. mochit – Robert Bryson, 1967.
  10. woman of sand dunes Hiroshi Teshigahara, 1964.

Speaking of the great Russian filmmaker, Kosluz added: “Like the top ten lists that directors have given to various magazines over the years, Tarkovsky’s list is very revealing. Its main advantage is the rigor of its selection – except for City Lights, it does not contain a single silent film or Any movie from the thirties or forties.

The reason for this is simply that Tarkovsky saw the first fifty years of cinema as a precursor to what he considered real filmmaking. And although he ranked Dovzhenko and Barnet highly, the complete absence of Soviet films from his list is perhaps indicative of the fact that he saw real filmmaking as something that happened elsewhere. When thinking about this point, one also needs to take into account the polemical position that Tarkovsky became imbued with through his experience as a film director in the Soviet Union.

“For Tarkovsky, the question is not how beautiful the director’s art is, but what heights art can reach.”

See the handwritten version below.

(Credit: Reddit)

Leave a Comment

Your email address will not be published.