“It’s really clear to me, you either make movies worth watching or you don’t make them at all.” Mihir Fadnavis

Hindi film has played a major role in global entertainment for more than fifty years. In many aspects, he pioneered a distinctive Indian style and sparked the imagination of people all over the world. However, over the past decade, Hindi cinema has taken an interesting turn. Many offbeat films started popping up from all over the country, and the focus shifted, especially as films such as Academy Award-nominated Lagan, Slumdog Millionaire, Udaan, and Masaan made headlines as blockbuster hits. Lots of noise in the awards circuit.

Writing with Fire, an Indian documentary, was nominated for an Academy Award. This is clear evidence that the world is now looking at the Indian market from a new and profitable perspective.

Mihir Fadnavis is an aspiring director who witnessed this transformation and believes in the turmoil of Indian cinema. Early in his career as an entertainment journalist in 2010, Vadnavis witnessed the shift in focus of the industry from analog to digital, as well as the waves of change brought about by a new generation of dissident storytellers such as Anurag Kashyap, inspired by their continued pursuit of cinematic excellence and the imperative to stand out in the crowd.

During his early days as a journalist, he met and interviewed many wonderful and up-and-coming filmmakers and producers and was struck by their divergent approaches and approaches to filmmaking. He saw that there was a huge difference between mainstream and independent art spaces, and that it was possible to create a high-quality film while still engaging a mainstream audience, thus bridging the gap between the two cinematic approaches. For him, it was clear that there was a real potential to create unique films while communicating with a wide range of audiences. He then decided to direct, produce and direct the films, as well as making sure his tales were told professionally.

“It was really clear to me, either they make movies worth watching or they don’t make them at all,” Vadnavis says. Making a movie is a difficult process, and consumers are now wise enough to know what is worth their time and money. Aside from local legends, he credits his love of foreign cinema with influencing his approach to filmmaking. Having grown up seeing the work of masters like Park Chan-wook, it was necessary to at least try to aspire to this level of filmmaking, and with legends like Anurag Kashyap, Vikramaditya Motwan, Dipakar Banerjee and Vishal Bharadwaj making such high-quality films of our time It would be unfair for the industry to strive to make films of this nature.

Vadnavis began his career in the film industry with the Netflix show “Ghoul” starring Radhika Apte; It was one of the first Netflix originals to be produced after the massive success of Sacred Games. Fadnavis served as a co-producer on the show, which was met with critical acclaim upon its premiere.
Soon, Fadnavis co-wrote and directed “Chewing Gum”, a horror film that had its world premiere at the famous BiFan Festival in South Korea and a successful international festival held at Fantasia in Toronto, as well as many other festivals in Europe and the United States. . The film Chewing Gum, produced by veteran Vikramaditya Motwane, is a genre horror picture – a form rarely developed in India – and it was a massive feat for the film to be on an international stage.

Having Vikramaditya Motwane as a mentor has been a huge boon to me, I have spent my formative cinema years watching his work, and having him produce my first picture as a director has been a wonderful experience. “Although Chewing Gum was a horror picture, the movie had to be based on the truth, but most importantly it had to be entertaining,” Vadnavis says.

Vadnavis also stresses that the advent of OTT films has brought people closer to filmmakers. He continues, “People who are watching quality stuff at home nowadays are starting to understand not only what good content is, but they’re also beginning to understand the thought process behind filmmakers, and that’s a great development because for the filmmaker’s discourse and being the ability to connect with Audiences, emotionally and artistically, is very satisfying, after all that is what we make films for, to be able to connect with and engage with people in healthy ways.

Mihir Vadnavis, who feels that diversity is essential to making successful films, is now working on a number of projects in a variety of genres. Mihir’s latest production, a documentary, Lords Of Lockdown, has also gone abroad and will premiere at the New York Indian Film Festival on May 7, 2022.

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