‘doctor. Strange’ is a Marvel horror movie starring Benedict Cumberbatch and America Chavez

The 28th big-screen film in Marvel’s close-knit House, and the 34th film to be released overall, Doctor Strange in the Multiverse of Madness feels like a 1950s science fiction movie—a self-cult favorite. Unfortunately, since the title’s arrogant and arrogant character doesn’t do well in standalone mode, Marvel has made this a “crossover movie” that includes other main characters. Unfortunately also, and unlike the team theme of the “The Avengers” movies, this is a cross between several facts and is not a collaborative effort.

“Doctor Strange in the Multiverse of Madness” feels like a 1950s science fiction movie – and one of the self-realization’s favorite sci-fi movies.

What he is, in order, is a direct sequel to the Disney+ series “WandaVision”, a continuation of the multiverse introduced in “Loki”, a sequel to the alternate forms introduced in “What If…”, and allegedly a follow-up to “Spider-Man: No Way Home”, with the inscription linking the last two decades of disparate Marvel films into one story. It’s also the origin story of a new and proud brand of LGBTQ+ Latino teen hero, America Chavez.

Oh, and it’s a zombie movie.

In fact, calling it a superhero movie at all would be a misnomer. It is a horror movie that takes place for the characters of superheroes. There is no saving the world, hardly any superpowers. Except for Chavez, everything is about magic and witchcraft, except for Hogwarts.

Understandably, this does not always work. The beginning of the film is particularly tense. You want the characters (and the director) to be breathtaking. Let those emotional moments strike! But the show had to go on — and fast — to avoid what would have been a 3.5-hour runtime.

The pandemic also has its toll, albeit in more subtle ways. In its original pre-2020 release plan, the film would have hit theaters less than a week after the “WandaVision” finale aired, and its story suffers from this extended and unplanned chapter. Also, as originally envisioned, this would have served as a precursor to the creation of “Loki” and “What If…” in “Spider-Man: No Way Home”. Despite additional dialogue reflecting the changes, there were times when reversing the release order weakened the overall final product, leaving it saddled with additional narratives.

However, the movie is totally fun. Despite the rhythm of the first hour, once the movie settles into the zombie movie it wants, things start to click. Parents should be warned – this is the scariest and bloodiest Marvel movie to date. (Marvel movies are remarkably bloodless, considering the massive amount of CGI combat that typically takes place in chapter three.) There are real fears of jumping in, a real feeling that the bad guys might take this movie away, many fan favorites dying in different creative ways, Director Sam Raimi even found a way to fit his muse, Bruce Campbell, into the proceedings. It’s not quite Marvel’s Evil Dead, but it’s as close as you can get.

Like it or hate it – the Marvel Cinematic Universe remains the force to be reckoned with in Hollywood.

It also means that whether you like it or hate it – the Marvel Cinematic Universe remains The A force to be reckoned with in Hollywood. Pre-sales for tickets this weekend were huge; It is estimated that the film alone could bring in between $150 and $200 million domestically during its opening weekend. That’s a sales number that the domestic box office has barely managed with all releases combined this year, and one that will dwarf even other superhero hits like “Batman.” It would be the first time a successful pandemic box office movie has managed to come close to that number since theaters’ last bright spot, Marvel’s previous release, “Spider-Man: No Way Home.”

In fact, since theaters reopened en masse in 2021, there’s been one common factor in every box office swell — the release of a Marvel movie. The company’s ability to defeat the blues at the pandemic box office has been impressive. Like it or not, the MCU created an essential book of success in a deeply fractured entertainment industry where the influx of consumer content has overwhelmed. This is a brand that people now trust to keep themselves entertained no matter who the movie stars are, what characters they are, or what genre they actually are.

This ability to entertain even when the movie can’t shoot on all discs is part of the Marvel brand identity. This is maytag from going to the movie.

Once upon a time, critics stared at Marvel’s wave of popularity and wondered when this superhero bubble would burst. But this perspective fails to understand what Marvel has actually built. This is “Dr. The Strange saga is one of the best examples yet of how the empire created by Kevin Feige has been able to go on being successful over and over again. Perhaps its competitors should take notes.

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